"It’s about the story, not about the music."
That's the wisdom that Rupert Gregson-Williams received from Hans Zimmer 18 years ago when the composer was cutting his teeth, writing cues for DreamWorks Animation's The Prince of Egypt. And it's a rule of thumb that the British composer still abides by, especially in his latest contemporary classical score for Hacksaw Ridge, Mel Gibson's account of World War II army medic and Conscientious Objector Desmond T. Doss, who saved…
